Tuesday, November 13, 2012

so lonely! without you!




Rainbow Arabia


unrelated discourse/present moment life check in: I love you. I love you. I love you. Gosh, I just love you.  Sweet berries and cacophony and simplicity and plasticity and slippery when wet, Rhett Butler -- pirates of the uninteresting man, boy, child, black, business man.  Stick it to the man.  In the asshole.  yup. once again you've come to a page that features music!  I love you! I love you! I love you! Jesus loves you, so does Buddha too!  and the atheist gargoyle children falling from buildings in tall Tokyo where swimming pools are always on top.

with sexual healing and peeling and feeling,
Anthony

Wednesday, November 7, 2012

monolith

60660135/57817973

a giant brick building, only bricks, no windows, floating. you see the sky around the brick building and i see your eyes.  i see the tears and they come easily because this process is endless and the sanity and sanctity of marriage are all spread out like wonderbread and the world is full of "nigger and monkey"* and i'm supposed to be happy.

i'm happy working on my happiness project, the project(')s helping me feel happy of violence and peace and freedom and empty wastelands and watershed moments in the simplicity of time and space. einstein and beaches and fortunes wasted. lost. perished. fortunate to have lost everything and left on that island, the one on the cd, that island all  alone  with a coconut.

black president does not equal the end of racism.  sickness, hate, full of greasy American french fries. go bowling. watch the Golden State Warriors. Listen to KATY PERRY.  fireshoot. home purchase. ouches and slouches and couches, what couches? how will the couches? where is the income? run? my job! run!  fortunate to love in the time of yoga and obama** fortunate to love in the time of robotics and art.

splice jeans, make a scene. the path is endless and my family is just the beginning. HOPE. PRAY. LOVE and shit on books.

303/203

the brick building is all brick, floating. you see the sky behind and around the building. you see COULDS.  fortune runs away with your sister in law, catch her cat.  bounce bounce bounce.

"Fuck All Y'All."***  register the sadness that is underneath the hate?  where is this lion of Judah or the parents of Eli.  you take your prophecy to the bank and awake with a letter in the mail. ah for the days of letters in the mail until you get one more than one too many and you just begin to automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters (i'm using copy and paste), automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters, automatically recycle the letters (it's easy).

stretch. don't be fat. play guitar. be rock star. hold yourself accountable on the lynching rope.  neck snaps and America goes down further than you think into brown earth and Costa Rican volcanoes.  you can see and cuban cigars and HOPE and the smoke. but i'm all about the repetition, soak your dog in the warm bath of youth and watch him grow old and sad and cry but the ducts are dry. next world war over water.what of the youth and van jones. do we fight or do we compromise. is there any next generation. is there a surface that isn't owned by microsoft. micro soft. soft micro. soft microwaves, waves of prophecy is the name of my new band, my new song, my new book, my new movement.  my new movement is for sale.

55/45

the red brick building with no windows is floating.  it is made up bricks, the red people and the blue people, but it is a red brick building. it is all of us.  monolith.  it is crumbling, breaking apart splitting down the middle.  shocked what is coming out?!  jesus, could it be god or irony or Mitt fucking Romney!  could it be Mitt in person! could it be the great uniter?!!!  3514385-32948579384057198475-974303529348571-94587102945871-923-4857023948571092457-148570193485720935478 that is your license to use the soft microwaves to read the solution to the binary struggle.  black vs. white over easy.

jump the gun.  the brick building is still falling apart and the love, i can't find the love, of the brick building.  monolith.  falling apart, and in the falling apart and breaking, the pieces of brick are you and I and we are one nation under god, or maybe above god, definitely over god.  the solutions! there are now 20 women senators!!! rejoice!!!!  but don't jump the gun in haste. hate has no place here.  the monolith is terrifying!  are we not one!  where are we! 12341234123412341234123412341234123412341234123412341234 i typed those myself.

with a profound happiness to be back in the saddle,
Anthony

*idea sadly belongs to thousands of twitter posts just after President Barack Obama was re-elected
**idea belongs to Alex Gideon
***idea belongs to Tupac

Ben Howard "Old Pine"

Friday, August 3, 2012

on leave

With a wedding and honeymoon coming up, I'm not going to be posting for a while, at least not on regular basis.  We'll see what's what come November.

with love,
Anthony

Tuesday, July 24, 2012

Life Coach

I am offering my services as a Life Coach.  I am serious about this.  My philosophy begins with identifying something in your life that isn't going well.  It will be my job to help you make progress in the specific area and, in doing so, improve the whole of your life.  I will not guarantee that I will be able to fix your problem.  I will not guarantee that working with me will make you happier.  But my instinct tells me that I may be able to help you.  If you are interested, please contact me.  We will decide on a time to meet in person and discuss what specifically you want to improve or change in your life.  I will tell you if I believe I can help.  I will draw on my own experiences facing difficulty and recovery.  Of course, "my recovery" is not over, it is a daily commitment to making good decisions, following-through, and thinking about and re-evaluating what is working and what is not working in my life.  I hope, if you are interested in hiring me as your Life Coach, you ask me pointed, serious questions with skepticism and you come away from our meeting feeling like you can trust me and that I can help.

My rate is $100/hour.  But that's on a sliding scale depending on what you can afford. Don't let the rate stop you from reaching out, if you feel inclined to do so. Our first meeting would of course be free.

Let me reiterate that I promise no results, only that you will have my authentic attention and my sincere effort to empower you to make the specific change you identify.  I am not a therapist.  I have no type of degree related to therapy or anything of the sort.  I believe that I can be a mentor in being human and improving the condition of your life.  However, if after our discussion I believe I won't be able to assist you, I will tell you.  I will let you know if I think a therapist or psychiatrist could help.  In truth, I believe therapy can help everyone.  So our one meeting may just be the bridge you need to start therapy.  Or it will be something else.  I realize the delicacy of assisting a human person feel better.  With empathy and humility, I will do what I can to help.

If I know you and you are interested, just contact me however you like.  If I don't know you, please leave a comment with your email.  I moderate all comments, so it won't be published.

I look forward to hearing from you.

much love,
Anthony



Tuesday, July 17, 2012

Jumping Off Rocks

This last weekend I went up to Yosemite.  I went with Abbey to visit my sister who is working at a summer camp where I used to work.  I took the three of us to this spot called Early Intake, which is a few miles south-west of the Hetch Hetchy Reservoir.  It's about a three mile hike in.  You get to this spot on a river where there are 20-foot cliffs and a couple perfect places to jump off the cliffs into the water.

When I got to the spot on the river with the rocks and the small cliffs, memories came rushing back of leading groups of girls and boys to this spot, and carefully setting out the guidelines before watching the kids jump in the cold water, swim about ten feet to the opposite side of the river, climb the rocks and jump off.  It was so much fun.  And somehow no one ever got hurt.

Going back this past weekend was blissful.  I jumped into the cold river water, dipped my head in, and swam to the opposite side.  I got out of the water, scaled the rocks to the highest spot and jumped.  I was definitely nervous at the top of the ledge, but it wasn't going to stop me.  It felt so good to fall 20 feet; I used my arms to make sure my body stayed perpendicular to the water.  You definitely don't want to over-rotate and belly flop from that height.  I felt the wind against my arms keeping me in line and I hit the water hard with my feet, probably went down five feet or more.  I shot back up with adrenaline coursing through my body and splashed out.  I threw my fist in the air and yelled, "yes!".  I wanted Abbey and Nin to know I was alive, mostly.  But I was also really happy that no rock had moved under the spot where we all used to jump in.  I was happy to be alive, too.

But it wasn't just jumping off the rocks that was blissful.  This spot on the river is perfectly etched out.  The small cliffs that allow for jumping are majestic and silver-grey like so many stones in Yosemite. The color of Half Dome.  And for those who don't like jumping off rocks, this place is also a perfect little swimming hole.  Just down a bit from where we were, the river gets really wide and the view is made up of pine trees and bushes and other trees.

No man or woman did anything to create this place.  It was created by the exacting movement of the earth.  I felt so aware of this while swimming.  I could feel that I was not in a swimming pool.  The water was too cold.  I felt too alive.  The sun was hot.  I felt many things. I was scared from jumping off the rocks, I was scared to be swimming in cold, wild water.  I had no idea what other creatures were swimming along with me.  But I also felt exhilarated.  The green of the trees, the cut of the stone and the rocks, the movement of the river, the temperature of the water, the heat of the sun. I felt it all.  It all felt so good.

I forget how different it feels to be in a place outside the city, surrounded by trees, away from the urban mayhem, in the peace of afternoon sunlight.  I felt peaceful and on-edge.  But also peaceful.  In a way I haven't felt in a long time.  I forget how important it is for me to go these places, leaving paved roads behind.

with love of the wild, exhilarating, serene outdoors,
Anthony

Tuesday, July 10, 2012

An Unlikely Return to the Catholic Church

Kaya Oakes recently published "Radical Reinvention: An Unlikely Return to the Catholic Church."  Kaya is my dad's cousin's daughter.  I didn't meet Kaya or even know about her until about four years ago.  My dad told me that he had run into his cousin, and she had told him that her daughter just wrote a book about indie music.   She was having a reading in Berkeley in the next month.  I was so excited that this unknown part of family shared a deep love of indie music and writing.  I couldn't believe it.  So I quickly bought and read her book: "Slanted and Enchanted: The Evolution of Indie Culture" and loved it.  I went to her book reading at Moe's books and introduced myself after the event.  I was a little intimidated cause here was this published author, a writer, a really good writer, writing about a subject I love.  But Kaya was really cool, super down to earth and just happy to meet a new family member with similar interests.

In her just released, Radical Reinvention, Kaya writes another beautiful book, even better than Slanted and Enchanted, in my opinion.  Kaya writes about how for most of her adult life she identified as an atheist.  She grew up loving punk music and bashing our homophobic, misogynistic, racist, 99% on the outside culture.  She is a pro-choice, pro-women, gay community loving, leftist, political activist.  But in her late thirties she began to feel an emptiness that could not be filled by her past passions.  She found herself longing for the sanctity and calm of the Catholic Church, the place of her father, her family, her Irish working class heritage.  She never envisioned herself returning to the Catholic Church, mainly because so many of its political stances are fundamentally at odds with what she believes.   But in the book she documents her return to the Catholic Church in brutal honesty.

The book is hysterical (Kaya is so self-deprecating at times it hurts), incredibly well edited and researched, and ends with a profound acceptance of Kaya's faith, her belief in God, Christ, the Catholic Church.  But Kaya is no passive parishioner.  She rails on the many failings of the Catholic Church, including its sexist beliefs and policies.  Kaya isn't content to simply complain.  She gives example after example of strong women from the Catholic Church's beginnings to its present day, including women Kaya now calls friends.  She attacks the Catholic Church with a sledge hammer for its destructive position on homosexuality.  She does not tolerate the injustice of the Church's refusal to include the LGBT community as equal and loved members of the flock.  

As I was reading, I began to realize how important this book is, how important Kaya's bashing the Church for its bullshit is, while she holds on with a clenched, sweaty fist to all the loving and positive aspects of her global Church.  Her bravery is clear.  The act of admitting to her peer group, made up of mostly atheists like myself, that she is believer, is an act of bravery.  By writing this book and continuing to take action based on her progressive beliefs, Kaya is helping to blaze a new trail.  She will be the first to tell you that she did not start the movement.  It began centuries ago.  But she is doing something fresh and unexpected.  The Catholic/Christian left, an idea that never even entered my brain until after reading this book: Kaya is doing something big.  She is incredibly humble, almost to a fault; but with the story she tells of her radical return to the Catholic Church, Kaya is setting an example for the rest of us, no matter our religious beliefs or cultural backgrounds.  You fight what is wrong with the world and you continue to love, to pray, to believe change is possible.

Kaya is doing a very cool public reading tomorrow, Wednesday, July 11th, at 7pm at Moe's Books on Telegraph in Berkeley.  I will be there.  If you can't make it tomorrow, she is doing a number of other readings in the coming months.  I encourage you to read the book and go see her in person.

Buy the book at a local bookstore or on Amazon and write a great review:
http://www.amazon.com/Radical-Reinvention-Unlikely-Return-Catholic/dp/1593764316/ref=sr_1_1?s=books&ie=UTF8&qid=1341975601&sr=1-1&keywords=kaya+oakes

Here is her website:
http://oakestown.org/?page_id=10



with love for active, progressive participation in your social order of choice,
Anthony

The Stooges "Down on the Street"




Tuesday, July 3, 2012

anal sex - an american love story

It was September, 11th.

Walker had come up with a plan. He had spent months thinking about it.  He was excited and terrified imagining it actually happening.

Walker was pretty comfortable in his own skin for a 25 year old gay man.  He'd come out as a senior in high school and been very supported.  Of course there had been those students who taunted him.  But he'd made good friends in high school and again in college.  His parents cried and hugged him when he'd told them.

Walker lived in new york and shared a tiny walkup apartment in the West Village with his boyfriend, Johnny.  Johnny was 5'8 and shaved his hair around the sides and let the top of his hair spill just a bit over his brow.  He had abstract tattoos of shaded shapes along his arms, black and white.  The tattoos belonged in MOMA, they were so exquisitely executed.

They had planned the event together.  Picked a date, Sept. 11, a couple months in advance.  Johnny couldn't believe they were going to do it.  They had both been inspired by the story of the man who had tightroped across the divide that separated the twin towers.  Seeing the photo of the man taken from the ground, the one where he is just a tiny, fuzzy, black speck on a faint line, brought them both to tears one evening, drinking buckets of PBR, sitting crossed legged on their throw rug, in the non-bedroom-other-room of their apartment with the faded lavender couch and the tv and the speakers.  They listened to Nina Simone sing I Shall Be Released.  Both thought that there could be no more perfect version of the song.  They'd cried and hugged and went down on each other.  Tears and cum still on their faces when they sadly and euphorically stumbled into the bedroom to sleep, wrapping themselves in a haphazard comforter and silly sheets.

They'd been together for over a year, and had grown fundamentally in love.  However, Walker had not yet allowed anyone to enter him from behind, including Johnny.  During the first month of their relationship, Walker explained that he was still a "virgin" and still scared.  Johnny didn't care.  Johnny would wait until Walker was ready, even if that meant he would never be ready.

When Walker told Johnny he was ready a couple months back and then proceeded to tell Johnny his plan, Johnny flipped his shit.  Walker was a bit more calm.

"I just want it to be spectacular!  I want it to be the greatest moment of my life up to this point.  I know other moments will become more important, more meaningful as we grow older. I want to marry you and raise our children.  But I want this to be special!"

"Yeah, no fucking shit!  But jesus christ!  That is some profound, empirically unsolid, stone-faced, belligerent, ranting, raving, heart-racing, horse cock of a plan you've concocted you beautiful man, you beautiful fucking man! But shit. Split."

Johnny sat stunned.  Would he do it? Was he capable of doing it?  Why do it?  But if that's what Walker wanted? But they could easily die.  This part didn't seem reasonable.

"But we could really fucking die?!"

"We won't die.  We'll be safe.  Just like clouds." Walker smiled.

"That, that, that shit you just told me, that shit is not how I define safe.  No, no, no, my man. No, no, no. Not safe.  No dictionary. Fictionary."

In the end, Johnny agreed. It took him a couple days, maybe a full week, but he got completely on board.  It would be special.

And so when the early, early dark morning of September 11th came around, they were prepared.  Johnny with backpack and Walker with keys and IDs.  They left the apartment and began walking downtown.  When they arrived at the North Tower, they knew the path of the first security guard, knew when they would have their moment, and took it.  They entered the building at 6am and began to climb the stairs, both looking forward to the sweat on the other man's body at the top.  They climbed and climbed in the darkness.  Johnny had friends who worked at the World Trade Center and had helped them coordinate the planning though all were unwilling to be there when it happened.  This wasn't a tight-rope walk and they weren't eager to be under arrest.

They reached the top and slid the ID card across the scanner to safely open the door.  The wind immediately blew, and Walker, the first one through, stumbled backwards.  He knocked into Johnny, right in the crotch.  Johnny was already hard.  Walker felt comforted and walked out on the deck.  They walked about 100 feet to the first chain link fence, spinning in slow, bewildered circles: to see the world from such a height.  The key to the first lock worked and the gate door opened.  They both turned and climbed down the ladder that led to the ledge that led to the second chain link fence, this one with even more menacing barbed wire at the top of the fence, in three rows, angled towards the two on-comers.  But again this fence had a door and again they had the key.

They moved through the challenges of the tower top without incident, easily passing by the numerous antennae and satellite dishes, and eventually reached their destination. The ledge, the actual ledge, where one could jump if one was so inclined.  But, again, that was not the plan. They just stared at new york city below and everything above.

The ledge, the actual ledge, was only about about three feet high and it jetted back in about two feet. The ledge was built like an upside down "L", so you could sit on it, though that was never the intention of the architects. Walker ran his hand along the smooth concrete.  They were facing north, in the middle of the outer edge of the North Tower.  To the right the sun was beginning to splash the sky.  For Walker, time was moving amazingly fast, he could see the sun rise and set and rise and set and rise and set and rise and set.  The purple moving blue moving black moving blue moving golden wheat horizons and the love of stuffed animals and the search for meaning and the primal urge to fuck: all bounty there for the picking, if one was brave enough to pick it.  And he picked it, he selected the place and began to remove his jeans.

Johnny smiled, tilted his head and closed his eyes.  The muscles in his face relaxed.  He smelled the high winds that blew across the tower top, unfettered with city pollutants.  His mind played a hymn from his childhood, and he listened closely.

"Aren't you going to fuck me now?" Walker said with a slight edge of insecurity.

Johnny came out of his mind's little concert, smiled brightly and said, "Yes, yes, yes, most certainly, sir. I will fuck you now. You beautiful creature. Feature."

Johnny walked over and helped Walker out of his jeans.  Walker looked at his socks and then up at Johnny.  A decision was made, their eyes agreed, the socks would stay on. It was a bit rough on the ground, where feet go.  But the rest of Walker became quickly naked.

Walker leaned over the edge and stared down at the tiny cars, parked along tiny streets.  He saw a news helicopter fly by about thirty stories below them.  It was heading uptown along the Hudson River.  This vista full of miracles, destinies, mystery and eventually death.  Everyone alive down there would someday die.  This thought passed quickly through Walker's mind.  Johnny handed the two towels from his backpack to Walker.  Walker made himself comfortable on the ledge, laying on the towels, face staring down into the vastness, his ass facing up.

"Are you ready? Steady.  Macho man."

Johnny had already taken off his pants and shirt. Naked, too, except for socks.

"Yes."

"I love you."

"I love you, too"

Johnny, put on the condom they discussed, plucked out the lube from the backpack, and began lubricating his covered cock.  He took the back of his hand and touched Walker on his ass.  Neither felt fear consciously, though it coursed gently through their bodies.  The sun was now in the sky.

Johnny took a splurge of lube in his hand and spread it around and then into Walker's asshole.  Johnny began to finger Walker ever so slowly with the middle finger on his right hand.  With each finger movement inwards, Walker's body allowed Johnny to go just a bit deeper.  Walker's chest and shoulders tightened at first, but eventually began to relax.

"You feel good.  Keep going."

Johnny took his dick in his right hand and slowly guided it towards Walker's asshole.  Again, Johnny moved it in close but barely attempted to make an entrance.  He just kept it there so Walker could feel him.

Walker turned his head and looked Johnny in the eyes, "Fuck me," he said through the wind and the cosmopolitan daylight.  Walker turned his head down and opened his eyes wide. He had imagined this moment for months and genuinely wanted to take it all in.

Johnny's charisma and instinctual desire to fuck took over and he started to push a little harder.  He made slow progress but eventually his dick was moving in and out of Walker's asshole helped by the lubrication. Johnny groaned a pleasurable groan.

"Do you like getting fucked in the ass?"  Johnny assumed yes, reverting back to his days before meeting Walker, the fucking he'd done with so many boys.  Now 38 and experienced, with sharp stubble and graying hair, he'd reserved this moment for the young man he loved on the top of the center of world trade.  The motion, their motion is highlighted by sunlight striking through clouds. The motion of fucking, the inaudible grunts and pleasure mixed with a bit of pain for Walker who is staring straight down at the billions of windows directly beneath him.  Walker is flexible, open, baffled, content. He keeps giggling thinking of all those windows and Johnny's dick moving in and out of his asshole.

"Keep fucking me, Johnny.  Keep fucking me."

Walker stares out and sees an airplane in the distance, and then moves his head to examine the remainder of the new york sky line.  The sea is the sky and the sky is the sea.  There are no beaches, only tenderness and instincts, fairways and birdies and eagles, streaming down the face of a euphoric lover.

Johnny reaches around and takes a hold of Walker's hard cock and begins jerking him off.  Walker is on fire and it takes only seconds for him to splash off the edge. Johnny hears this and feels this and for him there is no more electric aphrodisiac, and soon his back is arching and Walker responds by sticking his ass up, giving more asshole to Johnny's cock and Johnny spasms and squeezes and fucks harder and Walker  fucks harder and Johnny grabs Walkers waist and digs in with his fingers and fucks and fucks and fucks and falls on Walker's back, empty, groaning.

Walker watches as the airplane flies by far overhead, probably headed to Miami.

Johnny fucking Walker.  September 11, 2000.

"I need a drink."

"Yes, a drink would be good."

much love,
Anthony

I Shall Be Released

Tuesday, June 26, 2012

The Age of Women

I want one day to have a little girl.  I want her to get a micro-loan from the Grameen Bank. She will purchase a goat.  She will share this goat with the other little girls in her small, progressive, private school in Berkeley. And from this goat they will make a little money.  With the money made, my little girl will invest in bigger things.  She will choose a career that suits her.  She will struggle; she will suffer. But she will overcome challenges and find a happiness that runs throughout her life.  She will carry this happiness to her death.  It is the age of women.  The age of women coming into power and fundamentally changing art, science, politics, business and human relationships.

I give you a beautiful song about women written by men. Oh the ironies and the contradictions we face.

Animal Collective "My Girls"

with love for my little girl, and the little girl inside of me,
Anthony

ps - just to be clear, Abbey is not pregnant.

Trust Your Instincts

(This is a longer post. But you will be rewarded with music at the end.)

Abbey went with her mother to a big wedding expo last year.  I stayed home. She walked around and looked at dresses and sampled cake from vendors.  After wandering around the isles for around an hour, she found a seat to listen to the featured speakers.

The keynote speaker was an event planner, probably the most sought after event planner in San Francisco.  He had planned events for SF MOMA, the San Francisco Symphony, major corporations, and the most expensive and elaborate private parties.  Abbey knew him by name though she had never seen him.  When Abbey relayed this to me, I immediately assumed he was born with a silver spoon, very comfortable around the wealthy given his own upper-class upbringing.  But my assumptions about this man were all wrong.

In fact, he had grown up in rural New Mexico, in a working-class family that had trouble making ends meet. His father was a craft maker, possibly clocks, but I forget what exactly he made.  This elite event planner talked about his childhood in New Mexico and his fascination with his father.  He would sit in the basement studio and watch carefully as his father meticilously put together his crafts.  He was amazed by his father's attention to detail.  His father was not a wealthy man, by any means.  But he put his passion into the details of his craft, knowing he would not be compensated in relation to the effort he gave. 

The successful event planner, speaking at the wedding expo, talked about what he learned from his father.  Mainly two things: his father's attention to detail and the love of the craft that was created.

As this young event planner started his career, first moving away from rural New Mexico to San Francisco, he never forgot his roots and passion for details.  He also developed his own mantra: trust your instincts, deeply.  Abbey relayed how when this event planner would meet with people planning an event, his first thought was colors.  After discussing the event for a short time, the colors for the event would become clear to him.  This was a visceral, instinctual reaction, choosing the colors after a short conversation. But this successful event planner learned to trust, immediately, the colors he had chosen for the event.  He felt deeply that the first colors to come into his mind would be the correct colors for the event.

Abbey shared this story with me months ago, and it has had a pretty profound impact on me.  Hearing this event planner's story about his father, the attention to detail and the colors has made me realize just how vital it is to trust your instincts.

For me this plays out mainly in my creative pursuits though it can certainly apply to business or any other human endeavor.  For example, if I play a chord progression on the guitar and it sounds good, I've learned to lock it in.  I trust my instincts.  I feel it in my gut.  I'm ready to defend this chord progression to my death. Well, not really, but I feel committed to it.  I feel like I'm willing to face negative criticism.

I have also learned to trust my instincts when it comes to writing.  If I feel it deeply and immediately, it usually means I go with it.  I have no idea where the idea for naming my last show, "The Show!", came from.  But once it popped into my head and my reaction was positive, I stuck with it.  We had The Show! on Thursday, June 14th, and it went great.  I don't know how much of a role the title played, but I feel good knowing I stuck to my instincts.

When my sister or other friends ask me about art, writing, or creativity generally, one of the first things I say is trust your instincts.  If you feel it, go with it, stick to it, even if it may eventually lead to negative criticism.

For me, I feel it in my stomach, literally in my gut.  The muscles in and around my stomach tighten, as if readying for battle.  I am in tune with my body, and my body is telling me to stick to my guns.  Even if it is just a glimmer of an idea, an irrational idea, at the very least, write it down.

When I say trust your instinct in this context, I'm talking about creative impulses.  I'm talking about the first instinctual reaction to creative impulses.  I'm not talking about trusting your gut all the time. For example, if you gut is telling you to end your life, don't do it.  Seek help.  Go to the hospital.

I'm not talking about all gut level responses.  I'm talking about that fleeting, ever-so-vulnerable, first moment when you feel, instantaneously, that you have a good idea for a creative project or something to add to a creative project.  I'm encouraging you with my whole soul to go after it like a wolf after meat.  At the very least protect it, don't let it get stomped on by your own negative thoughts, negative thoughts that aren't fast enough to pummel the creative instinct before it is born. That creative instinct arrived, it is alive.  Of course, your negative thinking will attempt to crush it, but over time you can develop strength and protect the impulse.

This doesn't mean that I tune out feedback.  Quite the contrary.  Feedback from other people is hugely important, and I am a firm believer in flexibility.  It's fine to change and adapt.  But make sure you lock in that first creative instinct.  And (this part is HUGE) don't be afraid to follow it to its conclusion.  Be smart, weigh the possible consequences, be aware of what might happen if you do follow your creative passions to their logical conclusions.  But don't let all of this post-first-instinct mind chatter steer you away from your gut level response.  TRUST IT, DEEPLY.

from the wild hollows of creative singe (following your instincts will sometimes hurt), with love for mothers and widows and wives-to-be and all artists everywhere regardless of where you fall on the gender spectrum,
Anthony

ps - I think Malcolm Gladwell may have written a book about this. But I haven't read it.

pps - here's a great song by The Donkeys:

"Excelsior Lady"



Thursday, June 21, 2012

Young L: Hip Hop's Next Genius Producer/Rapper?

Loud Pockets

I recommend downloading Young L's free mixtape:

http://www.thefader.com/2011/08/08/young-ls-as-i-float-the-great-john-nash-mixtape/

You have to click "(Alternate D/L)"
then click where it says, "Click here to start download from sendspace"

It's worth it.  You might find the genius.

much love,
Anthony




Tuesday, June 12, 2012

Here We Go Magic - great live!

I'm writing tonight, Tuesday night, because on Thursday I'll be at The Show!  Tonight I went to see Here We Go Magic at the Independent.  They were great.  Really beautiful and fantastic. Even the down-tempo stuff on the album that I have a harder time getting into was great. They really brought it out and mashed it up with the uptempo stuff.  They are expert musicians, precise, complex, layered.  But also just down to jam and have a good time.

I got to see Peter a little bit after the show.  He's the drummer for Here We Go Magic, but I met him back in 2006 in nyc when he was in Trick and the Heartstrings.  I love Peter.  He's got such good, welcoming energy.  He's now pretty much a total rock-star, but he was happy to see me and really wanted to meet Abbey.  Wonderful connection.  And he's a good fucking drummer!  He was before, but his chops have obviously improved. That's what happens when you play a lot, or do anything a lot, usually. You get better.  Peter had to play some seriously up-tempo shit that had to interlock with intricate guitar work.  And the band's new bass player, this chick that looks like Florence from Florence and the Machine, she was bad ass.  She fucking rocked and can sing.

I absolutely recommend you go out and see Here We Go Magic if you get the chance.  And in the meantime buy their new album, "A Different Ship".  I love the cover art:

much love,
Anthony

ps - I'm still dancing to this song...

How Do I Know

6/15/12
pps - The Show! went great. : )

Thursday, June 7, 2012

The Show! Why Come?

On Thursday next week, there's gonna be a show at the Hotel Utah.  Why should you take time out of your important, busy schedule and come?  I would say most importantly the music is going to be good.

All three performers, Katie, Gyasi and Starr are singer/songwriters.  They will each take the stage with just an acoustic guitar and their voice.  Each will play alone for about 45 minutes.  But they are different in good ways.  And their differences will play off each other and make the show interesting.  All three care deeply about music.  I have seen them all perform live and was drawn to each of them, enough to invest my time and energy to co-organize this show to bring people in contact with their music.

With a solid foundation of good music, coming to this event will give you an opportunity to connect with real people.  There is always an opportunity for shared connection between people during and after live music.  This can be a special space.  My belief is that the people drawn to this show, most friends of the performers, me and my co-organizer, Yasya, are good folk.  I anticipate there will be a positivity that runs through conversations and the connections made at this show.

There will be beer, revelry, good times.  It's your show.  You get to experience it how you want to.  You help create the larger experience.

I took next week off, mainly so I could go out and put up signs in coffee shops and hand out flyers, old school style.  There's a lot of love being put into this show, from everyone involved.  Even Anthony who was originally going to play, but had to cancel because his younger brother is graduating from high school on the same night, has remained heavily involved in getting the word out.  All three of the performers have put the work in.  Yasya and I have put the work in.  This is usually a sign something good is going to happen.  But you never know. It's the mystery of not knowing that's both exciting and uncomfortable.  It's the mystery that will hopefully compel you to come out.

I hope to see you there.

much love,
Anthony


Thursday, May 31, 2012

not so much retirement as vacation or Change and Introspection

Okay, so I might have been a bit overly dramatic in my last post.  I'm not planning on retiring from music and/or writing.  I don't think I could even if I wanted to.  At some point in the future I will be compelled to play music again although I haven't since my last open mic bloodbath.  Not to mention the irony of writing about my retirement from writing.  I was planning on using this as a jumping off point to got into a deep, French, theoretical discussion of Irony in all its wonders.  But I will spare you the intellectual fireworks and stick with the savor of brevity.  (Mark my words, I will return to the subject of Irony, and when I do, it will be with the energy of the rush of the bulls in Pamplona.)

I wasn't clear in my last post, but I wasn't intending to retire from the blog.  The blog is easy. If I want to just post a song one week, that's all I gotta do.  Retiring from writing last week meant retiring from the difficult task of writing fiction, short stories specifically.  In part, this was related to the brutal feedback I received in my class.  In part, this was related to learning, again, that writing is really hard, and if you want to write well, it demands time, attention, energy, focus and, most importantly, re-writing.

I've taken two things out of my life for the moment: playing music and writing fiction.  Because of this, I've had to re-examine my priorities and think about who I am.  New identity.  Missing parts.  For the moment, no longer the ambitious, newbie, musician; no longer the ambitious, newbie, author.   This week I've felt empty and uncertain.  My therapist #2, the more experimental one, has taught me to sit with these feelings rather than running away from them.  So, I've been a little down sitting with feelings of emptiness and loss.

Or I was until my article was published on Tuesday in the Albany Patch about my struggles with anxiety, depression and panic attacks (link below).  I was overwhelmed with the positive feedback the article generated from friends and family.   I wasn't expecting such an outpouring of love and support.  This is a wonderful thing, of course.  But it's also made think, "what made the article connect with people so deeply?"  I feel lucky to have wonderfully supportive people in my life.  But it has also been a bit emotionally exhausting. It's strange that the week I decide to retire from writing, my article is published, and I'm overwhelmed with love and support.  Such a lesson: one week my writing class is ripping my story apart, the next week people are effusively launching into love letters triggered by my article. I don't want to down play the significance of these love letters.  Every one has meant the earth to me; most have been better written than my article.  But overall, it has been a lesson in balance.  I'm trying not to get too down from the criticism and not too up from the praise.

with sweeping affection, the love of Irony, and luck in our quest for balance,
Anthony

http://albany.patch.com/articles/albany-doctor-helps-albany-native-overcome-severe-mental-health-challenges




(http://gyasiross.bandcamp.com/)


Tuesday, May 22, 2012

I'm retiring

I'm retiring. From performing and writing music, and from writing.  I'm done, exhauseted. I want to sleep and eat and watch the San Francisco Giants.  However, I am not retiring from promoting The Show!  I'm going to keep promoting that bitch voraciously.   You can't keep me off those bases. I'm going to steal second and third. And The Show! is going to pop.

But as far as my own music is concerned, I'm done. I played Second Sundays on Sunday and sucked.  I tried to play Bob Dylan's, "Like a Rolling Stone," Bob Marley's, "Stir It Up," and Bruce Springsteen's, "I'm On Fire".  I absolutely butchered Like a Rolling Stone.  I took a friendly cow and slaughtered it, thrashed about with my voice off key, off pitch, in the wrong neighborhood, samurai'ing the friendly cow, sliced lower intestines and blood everywhere.

Yes, you could argue Bob Dylan does the same thing, but I am not Bob Dylan.  Mine was just bad.  It was kindof of a self-fulling prophecy. No, let me re-phrase that. I didn't practice enough.  I didn't prepare enough.  And yes, it's both ambitious and insane to play what many believe to be the greatest rock song ever.  But you gotta do it, right? Wrong.  At least learn to play the chords right, and sing in key, and not suck.  The other two songs got progressively better.  I'm On Fire was okay, and Stir It Up was decent.  With Stir It Up, I didn't try to sound like Bob Marley, and I actually thought I sang well.  I love that song so much.  I just love that song.

And I'm done as a writer. It's too hard, and I can't deal with any type of critical feedback. I'm soft, like the belly of a whale.  Writing is too hard. You have to do TWO drafts.  That's just too hard.  Call me what you like, but I'm retiring.

I've had a great run.  I've been published in the Albany Patch.  You can actually link to my articles just over there, to the right, on this page.  And I've got another article in the hopper, all ready to go.  Just waiting on my editor to give it the green light. I'm hoping before 2013.

Musically, I'm an award winning performer at Second Sundays.  They love me there. I'm absolutely critical to the ongoing success of Second Sundays.  They gave me the Best Supporting Performer award. In all seriousness, I got a small, plastic, director's bull horn, non-amplified. That was the award.  It said my name on it and it said Best Supporting Actor or Performer, I don't remember which. But the point is I've had great success.  It's time to hang up the cleats.

I may come out of retirement at some point.  But right now, I'm done.  I'm just too tired to play music.  And writing is just too hard, any writer will tell you that.

I love you, from the depths of my failures,
Anthony

I love this soooooooooooooooooooo much:

Bob Marley - "Stir It Up"

Thursday, May 17, 2012

The Show!

I put together and am now promoting The Show!  The Show! features Starr Saunders, Gyasi Ross and Katie Ekin. You can link to all of their music below.  The Show! will be at The Hotel Utah on Thursday, June 14th.  It starts at 8:30pm, and the cover is $10.  Come! It's going to be fun. : )

I felt compelled to put together this show and try to make it real after seeing Gyasi, Katie and Starr each play at "Second Sundays," the singer/songwriter showcase that I've been playing, once a month, over the last six months or so.  I'm a beginner, so I always go first.  But the performers in The Show! are the ones who go much later in the afternoon as the talent and experience balloons.  Starr is one of the co-hosts of Second Sundays, so I've seen her perform many times and love her performances.  Anthony Martinez is the other co-host of Second Sundays.  I wanted him to be a part of The Show! too.  And he was absolutely down.  But he found out that his little brother's high school graduation falls on the same night as the show.  When he told me this I was bummed, depressed for a couple days.  Anthony is part of the glue that I had originally envisioned, when the idea of The Show! first popped into my head.  But I've come to accept that Anthony won't be there, and I greatly appreciate his priorities.  I know, absolutely know that Anthony will be there in spirit.  He is one of the kindest, most positive, supportive and musically talented people I know.  I could tell when he called me to tell me he wasn't going to be able to play that he was genuinely bummed, too.  Being the stand-up guy that he is, he's remained committed to promoting the show, and he's going to try and come after the graduation.  The great thing is that, assuming this show goes well (I'm working hard on my positive thinking) so assuming it goes well, we'll have more leverage with venues to do another show and Anthony can be a part of The Show II, but we won't call it that, cause that is a shit name.  It will be altogether different, but make sure to take all of the great parts from the first one.

I just really want you to know, fair reader, that I care deeply about this show.  I've worked hard to make it real.  You can go to the Hotel Utah website and see The Show! on their website (see below).  On June 14th, Starr, Gyasi and Katie are going to play their beautiful, upbeat, organic, powerful, light, brilliant music.  This wouldn't have happened (I'm shifting into the future, post-June 14th) had it not been for my passion and skill, putting together an email and selling this idea to the booker at the Hotel Utah, who doesn't know me from Samantha.  The day Keith, the booker for the Utah, wrote me and confirmed we were on was an extremely happy day for me.  I put a lot on the line, and now it is going to happen.  I'm not writing this to highlight what an amazing person I am.  I'm writing this because I care so deeply about this show.  It goes straight to my gut.

I got pretty involved in the local music scene when I lived in nyc, circa 2006.  I managed a band, I put on shows, including a benefit show I was really proud of, I interned at a major label (Virgin) and an indy label (Velour).  I was completely driven to make the band I managed, Paragraph, into a national phenomenon.  My model was The Strokes.  I felt like Paragraph had that kindof talent and chemistry.  Things didn't work out how I wanted, at the time.  But, fuck, I learned a lot.  I learned a lot the hard way, trying to chase the cats and get coffee and feeling one moment of euphoria at a Paragraph show because I loved the music so much and the next day feeling totally depressed and despondent because I couldn't get them to agree on a logo, or even get in touch with them.  But I don't blame them, they were like 19.  I loved them, I love them today.  I believe in them today.  They are no longer all together in a band called Paragraph, but they are still pursuing creative endeavors.  I have so much love for and faith in those guys.

For a bunch of reasons, when I moved back to the Bay Area from nyc in the summer of 2007 I didn't want to get involved in music.   Mostly because I was suffering, dealing with panic attacks, anxiety and thick depression.  It took 4-5 years to even begin feeling "normal" again.  And thank the mysterious songs I replace God with that I got better at all.  So many people don't recover.  Many end their own lives.  It's a tragedy.  But you know this.

As I started to feel better, music started to creep back into my life.  But this time I was playing, and when Anthony invited my to play Second Sundays, I thought he was insane, a bad decision maker, and not a good judge of talent.  But I said hell yes.  Let me get up there and feel that terror.  And fortunately through that experience, I met Starr, Gyasi, and Katie.  I won't go on and on about much I love their music here. But you can assume it runs deep.  For whatever reason, I feel compelled to bring people together with live music I love.  Other people are not compelled to do this.  It's not good or bad. It just is.  I want people to hear wonderful music and be next to each other and feel connected to each other.  The first time I heard Gyasi play at Second Sundays, towards the end of his set, he had everybody sing along with him.  It helped that a lot of the audience were performers of various levels, but damn that was a beautiful thing, hearing everyone sing together, with Gyasi leading us.  I want people to feel that connection.

To make The Show! a success I brought in one of my colleagues from UC Berkeley. Yasya is like my business partner, only we don't have a business.  But she brings the tenacity, passion, intelligence, follow-thorugh and love of music that I believe are necessary to be successful in the music business. I'm so excited to see what is possible with Yasya and I working together to promote local, gifted musicians.

So come.  In all seriousness, I would love it if you take the time out of your insanely busy schedules, put Thursday, June 14th on your calendar, come out to the Utah and be a part of this.  Like I said, I want to do a second show.  But first we got to blow this one up.  I want to create energy and momentum with this show and build.  I dream big, but it takes small, specific, concrete steps to make dreams real.

with a profound love of music and its possibilities,
Anthony

The Show! Hotel Utah link:
http://www.hotelutah.com/event/120445/

The Show! My Facebook invite:
http://www.facebook.com/events/227520307347410/

Gyasi Ross Music (he just released a new album, like today!)
http://gyasiross.bandcamp.com/album/by-any-means?autoplay=true
(I recommend starting with Track 4, "Doing Fine". I love this song.)

Starr Saunders
http://www.facebook.com/pages/Starr-Saunders-Music/279245728771647?sk=app_2405167945
(I love this song, co-written with the also brilliant Robert Lindsey)

Katie Ekin
http://www.facebook.com/katieekin/app_178091127385?ref=ts
("Cuckoo" is amazing, as are all of Katie's songs.)


Thursday, May 10, 2012

How Do I Know (Here We Go Magic (This Is the Moment))

How Do I Know

This is the moment.  The moment planets collide and explode light that rains down on the sidewalks of urban streets in happy glow beams.  Cracked sidewalks that take the moment and reflect it back to the sun, rays of light meeting in an embrace, hands and wrists interlocking -- bigger things.  This is the moment of sunlight and freedom.  This is the moment she sings a song of delight and complexity, sweet songs of mystery falling down on mankind, humankind.  This is the moment of honesty where no beer commercial will follow, no scantily clad young woman to stimulate and confuse your desire.  This is a moment when your love is your love, your truth in love.  This is the moment of your gut winning the day.  The erudition of instinct. This is the moment of kindness. This is the moment of ART in the face of death.  This is the moment. It is a moment of truth, truth and song.  This is the moment we crave, a moment of Dostoyevsky happily ushering in the embrace.  This is a moment of learning and safety, of honest decay.  This is a moment of simplicity. This is a moment of sunshine.  This is a moment of secrets and shame set free into the wild heart of a lover; this is a blazing moment of acceptance...for all things we are and all things we are not.  This is a blazing moment of justice and babies.  This is a moment of babies circling the wagons in song.  This is a moment of hallelujah.  This is surely a moment of love, big bright window panes, sunlight, love, midnight, a surreal ephemeral amphibious underwater adolescent kiss -- big hurt and hugs -- sets shock waves through fault lines.  This is a moment of platitudes conquering and slashing through the soft belly flesh of (literary) criticism.  This is one brilliant moment of freedom, separation, angst, rebellion and coming together again.

This is a moment of love,
Anthony

Sunday, April 29, 2012

My Writing Class: A Follow-Up

Writing class is going well again.  I had class tonight. Everyone is nice.  I had a nice chat with the fellow who I described as being mean in the last post.  He is friendly.  The women in the class are all different and not mean.  I had an excellent chat with one woman about the music industry.  The teacher is really great.  It was also nice to have other people workshop their stories and not be the one in the spotlight and gore.

In my last posting, you may have noticed that I did not sign off with love.

I love you all times Godzilla,
Anthony

p.s. - I may add to this posting.  But for all of you who read my blog everyday, there is no one who does this, I wanted to give you an update, as I'm sure you were worried.

p.p.s. - This is me adding to this post:

Cults - "Oh My God"

p.p.p.s - This is me continuing to add to this post:

"New Harmony" by Paul Klee



Thursday, April 26, 2012

The Pain of Feedback in the Process of Writing

I started going to a writing class two Sundays ago.  It's on Sunday night, from 7-9:30pm.  I signed up for the writing class because I'm working on a short story and I wanted to get feedback.  Oh, I got some feedback.  I got lots of feedback.  I got beat up by 13 women.  There are not actually 13 women in the class, maybe 10.  But it seemed everyone of them and the three other men in the class thought my story was shit.  Nobody could understand anything; everything was confusing.  The class is supposed to start by discussing things they liked in the story or things they thought the author did well.  For the first two people who shared their stories on Sunday, one man and one woman, this positive part of the discussion lasted a good 15 minutes.  For me, one woman said, sincerely, that she enjoyed the awkwardness of my story.  I put the characters in awkward situations, and she liked this.  It was a really nice comment.  Then immediately the questions and criticisms started to fill the room.  My positive part lasted one person.

One of my goals with this short story was to make it simple.  I wrote a short story previously that had two intertwined narratives, and I got some feedback that the dual narratives needed to be made more clear, the reader wanted to know why the two narratives belonged to the same story.  In any case, I set out to write a more straightforward story this time.  I figured, I'm a beginner, I should start simple and then build complexity as I write more short stories and maybe eventually a novel.

Back in class this one big dude, who also had his story work-shopped the same night, said, "this may be a little blunt, but what is this story about?".  He went on to explain that the reason many of the other classmates were confused was probably because the central theme of my story is not clear.  And you know, he's probably right. But fuck, what a shitty thing to say.  That shit hurts.  It feels like being punched.  I felt like I brought this really ugly, dead baby to the party, and everyone else brought really expensive silverware, and everyone was like "shit man! why the fuck did you bring that dead, ugly baby! jesus man, that's so not cool."  This big guy is an astonishingly good writer.  He wrote this very dark story.  Each sentence was unique. He displayed mastery of complex sentence structure and an ability to mix in simple sentences.  It was obvious he had worked HARD and spent TIME WORKING HARD to produce a short story that didn't have a single cliche or familiar idiom, at least that's what it felt like.  His vocabulary is (I'm having a hard time finding the right word) large (that is such a shitty word for this sentence).  He is young, probably about 23, white, pretty buff and tall.  He's kindof shy, but smart as hell, so when he speaks, he speaks with force.  He's a writer, so he's probably also super sensitive; I don't doubt that.  Our class work-shopped his story before mine and many of my classmates had very good things to say about his story.  I, too, told him how impressive his writing was.

HOWEVER, I said, his story lacked an emotional core.  This is not surprising, as I think at this point in his young life, he's all intellect and hasn't yet figured out how to be emotionally vulnerable or write stories that have some emotional vulnerability. But maybe he hates emotional vulnerability. Many people do. Maybe he will still be a great and successful writer and never find the emotional core.  What the fuck is an emotional core? I could probably define it if I tried really hard, but I don't have the energy at the moment.  So while I did heap praise on the young man, I also told him his story didn't have an emotional core, and I wasn't sure where the center was.  He could be a postmodernist (I am a postmodernist, too) and reject the idea of centers (not like basketball, in basketball centers are still very important, at least to the stupid Golden State Warriors).  But I told him I was confused with his story, even though it was written brilliantly, in a way.  But I don't my criticism provoked him into asking me, "what is your story about" in this tone of voice that communicated, "Jesus, man, get your shit together, what the fuck is this shit about?! If I've got to read this shit, then you better be goddamn clear what the fuck this story is about."  I'm totally exaggerating how mean this young man was.  He's actually not that mean, he just seems introverted and writing classes give him the opportunity to feel powerful because he is gifted and possibly insecure.

There was also this one woman who started by saying, "well, I really didn't like any of the characters" and then went on to pick apart my story on some kindof of slightly feminist but mostly supremely pretentious critique.  I knew going in that my story could be susceptible to attacks from many directions.  The characters in the story are misogynistic, racist, homophobic, and not really concerned with their white privilege.  I tried to give the main character a great deal of complexity. He is many things and certainly not a bigot.  I am very different from some of the characters in my story.  But to be honest, I'm also very similar in ways, in the way that we are all misogynistic, racist and homophobic.  I would make the argument that since we (those of us who grew up in the U.S.) were raised in a misogynistic, racist, homophobic culture, we, all of us, inherit these traits.  OF COURSE, it's on a spectrum and it's very different from person to person.  For example, it's my belief that a black man cannot be racist in the same way a white man can be.  That is a huge debate for another time.  The story I wrote, the one I want to write, is not going to back down to pretentious feminist critiques. It's a man's story.  I am a man, and I wrote that shit.  That does not give me license to go on the attack and perpetuate misogyny.  On the contrary, one of my maybe more unconscious goals was to write about the everyday misogyny, racism and homophobia in white dudes in college (those are the main characters in the story).  So, I think it leaves the story open to criticism.  I do believe I need to work on the story.  It absolutely needs work.  That part was clear from the feedback I got from my warm and generous classmates.

I should be clear that I believe most of the women giving me negative feedback were not reacting to misogyny, racism, or homophobia.  I just think they thought my story needed more work.  And I should be very clear that only one woman felt to me like she was pretentious.  The other women seemed grounded and balanced and just not that stoked about my story.  But it still hurts to feel like everyone thinks your story sucks.  I also am very aware that I am a white, straight man.  I write from a position of extreme privilege, and it is my responsibility to be mindful of this with everything I write. People in the class could have been reacting to this, but I have no idea, since it was not explicitly stated.

On the other hand, you also want to stick by your shit.  Even the pretentious, annoying woman can make a solid point about the female characters being one-dimensional and how historically, in a male dominated culture, this is usually the case.  I have an opportunity to make the female characters in my story more developed, more interesting, more like the real women I know and love.  But it's also a story that lends itself towards a one-dimensional view of women because of the main character and his perspective.  Just writing all this down is making me think, "this shit is interesting."  I also wanted to say when 13 women beat your ass, and you have a black eye and a puffy, bloodied cheek, you GET UP OFF THE MAT AND KEEP WRITING.  Fuck that bullshit.  I do need to find my story, cause it's in there.

Anthony

Thursday, April 19, 2012

My Performance on Sunday

I played music this past Sunday.  It was my fifth time playing at Second Sundays, an event hosted by my friends Anthony Martinez and Starr Saunders that takes place at Sweet Inspiration Bakery/Cafe (incredibly good cake) on Market St. in San Francisco.  My sixth open mic type thing ever.  Second Sundays is a cool open mic because it's not open.  Starr and Anthony hand select the musicians in advance.  They've created this incredibly warm, positive, special environment for music.  I'm amazed every time they say I can play again.  Now I'm getting a little better, but after those first couple, I guess they just wanted to show people the range of talent.  I represented the range of very little talent.  But this last Sunday was good.  I'm feeling better about my music.  Still a LONG way to go.  But bit by bit, I'm slowly improving.  I stood up and played for the first time at Second Sundays.  I played a cover of Don't Be Cruel by Elvis and two original songs.  I felt more confident "on stage", better able to interact with the audience, which just means saying things into the mic.  I'm not leading sing-alongs yet.  My friend Rebecca from work came and she brought a couple friends, which was so cool.  She described my set as "Elvis, Evil and Irish".  The second song I played, an original, is downright evil in my estimation.  Rebecca thought the third one sounded like an Irish ballad.  My sister, who watched the video because she is now living in Las Cruces, New Mexico again, said the third song was also a little edgy.  I was glad to hear this.  My goal for this show was to let it rip.  So I tried, especially in the third song.  I wore a bow tie that my sister made. I got lots of compliments.

Here's the video from the performance:

http://tinyurl.com/76yhos7

Today I spent some time talking to someone who's going through some difficult stuff.  Anxiety and depression that's making it hard to do anything.  I was reminded that my musical adventures are wonderful for me. Fun, terrifying, important. But it's important to keep it in perspective.

with love and awareness for those suffering close to us,
Anthony

Thursday, April 12, 2012

Incredibly Talented Elvis Sucks - Youtube!

In my ongoing effort to provide you fair reader with the most current online resources, I wanted to alert you to the website youtube.com. Youtube is a cutting-edge new site that allows anyone (you!) to post videos. It’s like TV on the internet, but it’s not filtered by anyone. Pretty much anything goes. There’s so much to see and learn! And there is no one making decisions about what is good!

In order to give you a better sense of what youtube offers, I wanted to share a personal experience I had on youtube. It has to do with Elvis. See, for almost all of my life I have hated Elvis. There is a simple reason for this: he stole all his music from black people. (I learned recently that this isn’t 100% accurate, but pretty much completely true.) I hated the idea of Elvis. I would rather listen to the Black artists who came up with the original songs. I didn’t really like his songs, and I wasn’t impressed with his little hip motion. Wow, he moved his hip. I understand that back in the 50’s this was mind-blowing, but for me, well, it just wasn’t that impressive.

I don’t remember how exactly, but about three months ago, I stumbled on a youtube video of Elvis performing live in 1956. And my God, it was a game changer. He looks about 18. Young, innocent, handsome, and having fun. It’s obviously before things turned bad and Elvis got bloated and started wearing sequins (circa 1957). In the youtube video, Elvis is singing Don’t Be Cruel, a song I now love. It was written by Otis Blackwell, a Black man.  According to wikipedia.org, another amazing source of accurate information on the internet, Otis was amenable to sharing 50% of the songwriting credits with Elvis.  I don't know the real story, but at least it seems Otis benefited from the deal.

Watching the youtube video, it's clear Elvis has more talent in a wisp of his perfect hair than 99% of musicians you hear on the radio today. He was one incredibly talented dude. Just born with enough charisma to knock over buildings. It's clear in the video, he's so young, he just wants to sing and have a good time.  In his early years, it's hard to fault him for wanting to sing great songs written by Black men and women.  But the white men around him that managed his career are guilty of stealing lots of Black music and getting rich having Elvis perform it.  In this video, the youthful Elvis is mind-bogglingly good.  Too bad it went so wrong so quickly.

Here, finally, is the video:

Don't Be Cruel

I have a performance coming up this weekend, on Sunday.  Second Sundays is a monthly event where local singer/songwriters have a chance to perform in a cafe/bakery, Sweet Inspiration on Market St. in San Francisco.  I've played the last four months of Second Sundays, and it has been wonderful.  This Sunday, I'm going to perform Don't Be Cruel along with two other original songs.  The show starts at 3:30pm.

much love,
Anthony

ps - A friend of mine, after reading this post, sent the following with the video:

boooooo boooooo elvis straight up racist...

Fight the Power!

If you have thoughts or videos you want to share, please comment below!  You don't need an account and you can do it anonymously, if you want.  more love : )


Thursday, April 5, 2012

"Stress, Wakeful Relaxation and Freedom" by Tara Brach

This is a talk by Tara Brach.  Tara Brach is Clinical Psychologist and a Buddhist Teacher.  I listened to this talk many nights during a time of great personal suffering.  It was helpful.  A small step towards feeling better.  Just one small part of a much larger effort.  As small as a pebble but as important as you or me or any living being.  The talk is about 45 minutes long.



with love,
Anthony

Thursday, March 29, 2012

'Love Sorrow' by Mary Oliver

Love sorrow. She is yours now, and you must take care of what has been given. Brush her hair, help her into her little coat, hold her hand, especially when crossing a street. For, think, what if you should lose her? Then you would be sorrow yourself; her drawn face, her sleeplessness would be yours. Take care, touch her forehead that she feel herself not so utterly alone. And smile, that she does not altogether forget the world before the lesson. Have patience in abundance. And do not ever lie or ever leave her even for a moment by herself, which is to say, possibly, again, abandoned. She is strange, mute, difficult, sometimes unmanageable but, remember, she is a child. And amazing things can happen. And you may see, as the two of you go walking together in the morning light, how little by little she relaxes; she looks about her; she begins to grow.

-Mary Oliver

with the intoxicating love of things whirling about in the air: ideas, projects, art, music, creativity manifest;
with love,
Anthony



Thursday, March 22, 2012

Mexican-American Bleecker Street Jazz Club, 2012

the smoke moves slowly, cigarette in her mouth, pilfering pink health from my lungs, hazy, circling, first around my lips then floating abstractedly up around my forehead and then off in the direction of the bar. everything is mahogany. the club is mahogany. the bar is mahogany.  the bar is split in the middle. a space for the server to enter and exit.  the jazz trio is straight down the barrel of the club at the opposite end, tucked into a corner, be-bopin' along, with amps and wires and such, all bunched up.  sweet stand-up bass lines become the central force of the sound in my ears. i'm listening to the phat plucking of that sweet bass. in the background the drummer scrapes the snare with a brush and the electric guitarist/occasional vocalist is popping one dimensional guitar notes floating along the bass man's river. i'm in the boat, too.  there's no room in the club. we're all stacked in, sitting at tables scrunched together, maybe 50 of us, sitting along the wall of the long, skinny club, just enough room for the black woman with blond curls to snake down the line, taking drink orders. I want a Jameson, I want a whiskey on the rocks, she's going to bring it to me after she asks about 25 other people what they want and then asks the white boy bartender with a hipster fedora and a black button down to make all the drinks, then stacks the drinks on her round, mahogany colored plastic tray with the cork bottom for placing the drinks, then delivers everyone else's drinks, then puts down a napkin, then places my Jameson on the napkin.  she's attractive this woman bringing me a Jameson.  she's got a cute snap to her, slight of build, with strong, light arms, nicely defined.

the woman i'm with is another story.  she's a mess, but i'm in love with her too. fuck, i'm in love with all of them.  cassandra, my date for the evening, struggles to remain focused on the music.  actually, she fails. there is no struggle. she fidgets, she moves in her chair, she's making eyes (like creating them anew) with this african-american man wearing a "kiss me, i'm irish" shirt, black with with white letters, and an irish old guy hat--you know, the kind that are flat and snap in front.  this guy's sitting behind us, and cassandra, my white cleopatra, is communicating nonviolently and without speech in a manner that oozes fuck me messages with this very handsome man. he's old enough to know better than to be sharing eyes with another man's date.  he's probably 38 and doesn't give a shit about me, doesn't give a shit that cassandra is 19. fuck, i'm only 24.  i don't know how to handle this woman. a contemporary jazz club on Bleecker Street sounded like the right way to go after a day chalk full of fucking.  but i'm Mexican-American, from California for Christ's sake, and these east coast love affairs still don't make any sense to me.

when i'm home alone, in my apartment in Brooklyn, i'm listening to this chic i saw perform at an open mic the other night.  i downloaded her ep on iTunes.  i'm listening to one of her simple, beautiful love songs.

"it seems these days the best of ways to love someone is to flat out say you have my heart for now and always"

if you let the love loose, it will grow and find the fecund fortunes, and let the people blessed with the love be free. that's all we want, right? my chicano family members would start talking about Cesar Chavez y Si Se Puede! and all that bullshit, but I went to Brown and now I'm at NYU.  What the FUCK does Cesar Chavez have to do with me? Everything, I know.  But still. it's a stretch, especially at this bar with cassandra and her white girl ticks and all the bullshit sad eyes makeup.  you're not sad cassandra, you're white. with your white stretchy shirt looping dangerously around your breasts. it's too much. put on a fucking hoodie, cause you sure as hell ain't gonna get shot.  that black dude might buy you a shot, but that's altogether different.

no quiero ser un otro.  quiero ser lo todo.

hey-Suess! i should really introduce myself if i'm going to be complaining to you about my love problems.  I don't even speak spanish. I mean i speak spanish, but not really.  My name is Henry, Enrique to my parents, but Henry to cassandra and her drama (queen) friends at the new school.  she's an actress. that's original. i know, but we all want that too. don't we.

with love in imperfection,
Anthony

Thursday, March 15, 2012

hodgepodge

It was Sunday, around noon.  I was practicing for the open mic I was going play at around 4pm, and this happened:




Then I went to open mic at Sweet Inspiration Bakery in SF and played these three songs:

Caught That Fish

Lindsay

Zorbing (Stornoway cover)


And then Corch sent me this:

Soul


And then my sister made this (she's teaching herself how to sew and make cute clothes):



And then my cousin Danny Wolohan sent around this video. Danny was interviewed about doing Cymbeline at Portland Center Stage. He was not clear about the purpose of the interview.

http://vimeo.com/38053730


And then my baby is having a St. Patrick's day themed Free Scone Event at her store, Park and Pond, which got picked up by a local, well-known blog:

http://sf.funcheap.com/free-green-irishy-homemade-scone-day-park-pond/


And then...

naw, just more love,
Anthony

Wednesday, March 7, 2012

therapy

Therapy is much maligned in our culture.  It is misunderstood.  It is thought of as treatment for the insane and the weak.  But for me, therapy has been an extremely positive force.  It has made me stronger.  It has helped me manage challenging anxiety, depression and panic attacks.  Therapy has played a major role in making me a happier person, a person now capable of sustaining a relationship with a woman I love, the kind of relationship I always hoped I could have.  Therapy has made me a better basketball player.  It has allowed me to be more creative.  It has helped me become more empathetic, less concerned with the fallibility of others.  I can love more openly, more fully because of therapy.  I still have a long way to go to be the person I truly want to be, but therapy has helped me move a long way towards that place.

I've been in therapy for 14 years.  I've worked with four different therapists over that time.  Today, I see two therapists, each one once a week.  Therapy has given me the opportunity to be open and honest with myself.  I've been fortunate to work with wonderful therapists. I am grateful for their guidance, insight, honesty and support.

Many people believe they could probably benefit from therapy, but they are scared or unsure or outright opposed to the idea.  People often fear finding and working with a bad therapist, a quack.  To this I say, trust your gut.  Make several phone calls.  Talk to the therapists on the phone.  If you feel like a person is weird or just wouldn't be a good fit, don't make an appointment.  If you feel an immediate bond or connection, even if you can't explain why, go with it.  If you make an appointment and then don't feel comfortable, don't go back.  It's amazing how much control you have over therapy.  You chose your therapist, every week.  You never have to sign a contract, you never have to commit to more than one session.  If the person sucks, just walk away.

Therapy can be expensive.  It is often thought of as a treatment for the wealthy and well-to-do.  And there is definitely some truth in this.  For some, therapy is thought of as luxury they simply can't afford.  But there are many clinics and therapists that offer services on a sliding scale, and some organizations that offer therapy for lower-income clients, sometimes free.  If you feel like you could benefit from therapy, see what's out there, see what's available.  If you are fortunate enough to have health insurance, your plan may cover some percentage of the cost of therapy.  I don't want to gloss over the economics of therapy.  It can suck.  And many established therapists these days do not accept patients with health insurance.  The system is fucked up in many ways.  But there are still solutions.

Many people believe that therapy is only for white people.  But there are so many diverse therapists working today, especially in the Bay Area.  I believe the face of therapy is changing.  Communities of color now have opportunities to work with therapists who look like them.  I don't believe therapy is only for white people.  It is a fact that historically therapy and psychiatry have been dominated by whites, but that is changing.  There is still a long way to go.  But if you are Latino, Asian or Black or you identify in some way outside the white mainstream and you are interested in therapy, there may be a therapist out there for you.  I, of course, don't know. But again, trust your gut.  If it doesn't feel right, don't do it.

People are often times afraid of what's inside them.  Therapy can help you find out what's inside you, what it is you really want, how to set goals, how to go about achieving them.  Therapy can help you build courage to face what's inside you and what's in front of you.  Therapy can be amazingly helpful in getting you out of a rut.  I feel like this may be the best reason to start therapy.  Start with one thing that you are stuck with.  It could be a relationship or work or anything.  It can be helpful to start with this one thing.  Use it as a jumping off point, and see what happens.

By no means is therapy the only answer.  For me, therapy is one part of the effort to feel better.  For me, it is a big part.  But for you, it may not make sense.  It may not fit with your world view and what you believe in, and that's totally cool.  But if you are wondering, questioning, therapy might be a resource for you.  It has been a wonderful resource for me.

with love,
Anthony

November Rain



Sunday, March 4, 2012

work

It seems as if the world is conspiring against me. I am angry, frustrated, tired, and incredibly sad. Feeling rage. I don’t know why. I know work has been difficult and time-consuming. I’ve put in a lot of energy to make things right, to make things work, to make things go well. And things have gone well. But I still feel something akin to rage. I feel rage. It’s in my stomach, in the shape of a molecule, a molecule that is twisted and rendered tight, tied in a knot. I’m listening to Bon Iver sing, “At once I knew, I was not magnificent.” Maybe that’s part of the problem. You work so fucking hard, and you’re not magnificent. Nobody really gives a shit. As long as you don’t create a catastrophe, people are ok with you. And they carry on, without saying shit to you. Maybe that’s the world we live in.

In art, I am magnificent, I am beautiful, I am capable of genius. At work I am none of those things, at least I haven’t been notified yet by any colleagues that this is the case. Maybe I’m part of a generation that needs to be patted on the back just for showing up. But I work hard. I put my heart on the line. I put my soul into the work. I am compensated fairly.

But this song is more beautiful than any of that stuff. I feel like I shouldn’t care about that bullshit. Here’s to you Bon Iver. A toast. A glass of champagne. A little start to a big evening of dancing and revelry. You, too, Bon iVer, you too are beautiful. “Christmas night, clutched the light, the hollow bright.” You, too, are magnificent. You, too, are beautiful. Like my sister and my family and my bride to be. The love I feel is beautiful and magnificent.

Any day now.  I shall be released.

with nothing (not in a bad way),
Anthony

Ladies and Gentleman, Nina Simone



Thursday, March 1, 2012

quotation

"It's difficult to believe in yourself because the idea of the self is an artificial construction.  You are, in fact, part of the glorious oneness of the universe.  Everything beautiful in the world is within you. No one really feels self-confident deep down because it's an artificial idea.  Really, people aren't that worried about what you're doing or what you're saying, so you can drift around the world relatively anonymously: you must not feel persecuted and examined.  Liberate yourself from the idea that people are watching you."
- Russell Brand

with love and italics mine,
Anthony

Wednesday, February 22, 2012

Cassidy Meijer, 1978-2012

Abbey found out a couple days ago that the lead singer from a band she really liked while she was an undergrad at Santa Cruz died recently.  Abbey tells me Cassidy Meijer was the lead singer of a band called Sin in Space from around 1998-2002.  From what I understand, he had been a heroin addict on and off for over 13 years.   In one article from 2009, he was quoted as saying, "I believe that opiate withdrawals are absolutely a form of torture, and I believe that torture is something that just about no one can withstand for too long."  He died of a heart attack on Valentine's Day, during an attempted detox.  He was 33.

Cassidy was an acquaintance of Abbey's about 10 years ago.  Abbey was close friends with Cassidy's girlfriend at the time.  Abbey would go to his band's shows frequently.  Abbey told me that Cassidy was a really sweet, nice, soft-spoken person.  Very sensitive. He clearly had a hard life, but a good heart.  It seems from the comments at the bottom of the obituary below, he was loved by many in Santa Cruz and in the other places he lived.

I encourage you to listen to this song called "My Freaky She" by Sin in Space.  It's a beautiful song.  I hope it serves as a reminder that we need to care for people suffering from addiction, not incarcerate and demonize them.

My Freaky She

so much love to Cassidy, who I never knew, and to his friends and family,
Anthony

http://www.santacruz.com/news/2012/02/21/cassidy_meijer_1978_2012

Friday, February 17, 2012

Guy in the Gym

There was a guy working out in the gym the other night.  He was overweight, balding a little, kindof nerdy looking.  But he was busting his ass doing hard exercises.  He had a trainer, but she was just sitting watching him work hard.  I wanted to tell the guy, "man, what you're doing is so strong, so brave." fuck all these dudes in the gym chisilling their 32 inch biceps.  this overweight guy was out in this difficult space; gyms can be so intimidating and unwelcoming, usually dominated by really buff, in shape guys, staring into the mirror, just admiring how big their muscles are.  But this guy was doing exactly what he needed to do.  He was in the process of getting healthier, losing weight, feeling better about himself.  I felt so inspired by this guy.  It takes such courage to be overweight and not look like someone who belongs in a gym, and go into a gym and really work hard.  He was doing squats and pushups and free weights, exercises that can make someone who is out of shape look funny.  But I didn't think this guy looked funny. I was impressed.  People like him are the type of people I respect.  These are the people I want to follow.

I was reminded by a lot of friends and family this week that life is just fucking hard.  There's no way to get around it.  We lose people we love, we're faced with difficult choices, we sacrifice, we suffer, we experience trauma.  But in the face of all this we must continue to love ourselves and love the people around us.  And we must, like the overweight guy in the gym, show up and do the hard work.

I really love you all,
Anthony